Archives for posts with tag: Entertainment

It takes a hell of a lot of nerve for a man to stand up at the Oscarcast and proclaim himself King of the World. James Cameron just got re-elected – Roger Egbert, Movie Critic.

There are times when you come out of the cinema hall wondering at what just happened in your life in the last 3 hours. Sometimes it’s a powerful riveting story, sometimes its a great laugh fest, and sometimes it’s just magic.
This movie, Avatar, is the last of the category. Magic. As entertainment it is brilliant. For riveting depth of script, it could have done better.
The quick review – I’ll keep spoilers to the minimum. Unless you watched it in 2d….

This is a movie about the US Army forces entering a new land to plunder the precious mineral resources needed back on earth to survive. But every planet doesn’t spread its legs freely. There is resistance. In the form of a race 10 feet tall with blue skin on the planet Pandora called Na’vi. The story then follows the battle of one conquering army and the others refusing to be whores, to their murderous plunder. Sound familiar? Exiled British conquering the Native Indians perhaps?
What this movie made me think was about the extent to which we have plundered nature. To make everything our own. To seek to control resources that don’t belong to us. Instead of a diplomatic solution we exhibit that which requires no brains, Brawns.
In Management, there is the stick and carrot tactic- employed with children too. You show a carrot lead the people away or you drive them out by using force with the stick. It does leave you with a sick feeling in the mouth to see how the latter is shown in the movie.
Man can co exist with nature. Man can live peacefully without showing his aggression. This doesn’t fly into the US corps philosophy who seek to bend the will. Seek, Crush and Destroy.
The Scientists of the bunch want to discover, learn and form an alliance. The soldiers (theres no “misunderestimated” me here) want to conquer the resources by brute force, as the Westerners have often proven adapt at doing. There are many battles subtly placed that keep ones attention.
And at the center of this is Jake Sully, paralysed below the waist, retired Marine of the U.S Army. His brother had taken part in a training where he was given a very expensive “Avatar”. This is akin to the matrix where you plug yourself “into the system” and you take on the smell, feel and emotions of a 10 foot blue Na’vi body. The “Avatar”. These are how the Night Elves would be like in Warcraft 3. There is a host of creatures that seek to still territorial ownership as well on the planet.
The story of Avatar is not entirely new. And to a large extent falls into the Hindi Movie formula of love, family, running around trees and good vs evil. This isn’t something you haven’t seen before.
What you haven’t seen before
What James Cameron excels himself at is innovation. This is what excites me. He has a fertile imagination. And has combined brilliant cinematics into a good storyline. The last time I felt the same rush of visual awe take over where during the Matrix Series. And the Lord of the Rings. I watched too much of Star Trek so Star Wars wasn’t appealing enough. I know.
This is why you MUST watch it in 3d. The flora and fauna, the trees, the chase scenes on the dragon-like birds and pandorian panthers. Here’s a shot.
This is 2d. Imagine that racing at you in 3D. Cameron in this movie has invented a new camera, said to revolutionise cinema going. Invented a new language, called Na’vi. Written a book on the biology of Pandora. So much so that the Pandorapedia, said to be released, is in itself a full compilation of authentic research translated. That is dedication to your movie. He wanted to make this in 1994. We weren’t ready then.
Unlike a lot of bullshit directors today who make up shit, James Cameron spent over 5 years researching this.  An astrophysicist reviewed Avatar and gave it a thumbs up. Think about that someone who is deep in physics approves of the elements put together. And it is this reason James Cameron is a visionary.
I’ll do a detailed why James Cameron’s life inspires me post tomorrow, but I had to get this out of the way. This was a perfect way to spend New Years eve. Spend time being fascinated by riveting visuals and going back wondering what you’d give to be Jake’s Avatar.  Flexibility, strength of spirit and more importantly, Neytiri.
Here’s wishing each and every one of you a Very happy new year.
May you get everything you seek, as long as it’s not unobtainable mineral on a planet in the year 2154, because I would then side with the Na’vi.

Posted via email from Kage’s Pages.

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Now this is going to be a little difficult so stay with me.

How much does your life weigh? Imagine for a second that you are carrying a backpack. I want you to pack it with all the stuff you have in your life. You start with the little things the shelves, the drawers, the knick knacks, then start adding larger stuff. Clothes, table top appliances, your TV. Backpack should be getting pretty heavy by now. You go bigger. Your couch, your car, your home. I want you to stuff it all into that backpack.
Now I want you to fill it with people. Start with casual acquaintances, friends of friends, folks around the office and then you move into the people you trust with your most intimate secrets. Brothers or sisters, your children, your parents and finally your husband, your wife, boyfriend, your girlfriend. Get them into your backpack. Feel the weight of your backpack. Make no mistake, your relationships are the heaviest components in your life. All those negotiations and arguments, secrets and compromises. The slower we move, the faster we die. Make no mistake, moving is living. Some animals were meant to carry each other to live symbiotically over a lifetime. Star crossed lovers, monogamous swans.
We are not swans. We’re sharks. Fantastic trailer watch below. Can’t wait for it to hit the theatres.

Posted via email from Kage’s Pages.

Why would I review a Tamil movie to an audience that’s largely international? To show you the horrors depths to which Indian Cinema can go. It is a well known fact that creative juice among most indian filmmakers starts running 5 days after a Hollywood movie is termed blockbuster. After that in 7 different languages, you will find our own Indian versions of Batman, Spiderman and even the Incredible hulk. Why would I choose to write about this after a long hiatus? That I don’t know the answer to except I am so excited to spew my thoughts.

This review is about a remake of a director’s first movie that had a solid script (Anniyan) but was reworked with a Love Sex Magic (copyright Justin Timberlake/Ciara) formula. This director is Shankar. A guy I had respect for till today.Why do people think such shit works? I don’t know, I ended up paying 150 bucks to watch this shit. I wonder how many other fools like me left the theatre shaking their heads. Anyway on to the movie.

It was the most confounded money sucking totally worthless script-less shit.

Sorry that’s not the real review here it goes. There are spoilers ahead (if it’s possible to spoil a movie further just by writing it, I sincerely beg your pardon).

The story is that of a Rooster guy. This is a term I prefer to use rather than cock. Because that brings vivid images that a decent blog should not visit. Kanthaswamy (pronounced as Cun-Thaa Saa-Mee) is a rooster dressed superhero who can give batman a run for his costume (not.). He lives apparently in the heart of Chennai and frequently visits Mexico to romance his girlfriend (more about that later), but is the modern day over dressed Robin Hood that apparently can sift through 500,000 notes to pick up ones that he wishes to save. This is enabled by the worst parallel drawn to Bruce Wayne and other super heros. His unoriginal day time “name” is the same as the Cock he potrays – Kanthaswamy. The difference is he being in a hi tech – movie – only- outfit of the CBI (have you seen the real offices? I have and nothing was so cool) where he has audio and video surveillance in his office and fights good with a badge that gives him authority to do so. Some poor north indian guy plays his chief mentor and his tamil is worse than mine.

This then involves a plot that supposedly requires Vikram (another guy I lost respect for today) to cross dress and do unwanted stunts with an even more unwanted cock dance. Added to this horror is the task of enduring Vadivelu (A guy who still has my respect) shaking his booty while being watered. I’m sure his comedy is something that we can look forward to, not his ass. And definitely not watching him semi naked. Prabhu’s got the usual role most over the hill actors have, that of some cop trying to move his weight around the crowd to get information and getting the Ah-hah moment at the end of the movie.

I thought Mithun’s speeches in Luck was bad. Man oh man, wait till you see Vikrams “Save the Nation” dialogue at the end of the bus ride (which btw has a super addictive song which you must watch here). He gives this speech half to the crowd in front of him and half to the naked babe (Mumaith Khan yum) and the half naked businessman (whose name is insignificant here thus not reproduced).

All this does not bring us to the real reason why you should watch this movie, if at all. Shriya Saran. And since a picture speak a thousand words.

shriya-sand

I know you don’t have to thank me. I enjoyed her attire in the movie as well as her infrequent appearances. All taken from google and copyrighted to the original people, I just patched them together. She has no role except that of a doll made to love some self righteous, row boating, no talking CBI officer. She has some terrible songs to dance to, but boy does she dance. If there’s one that that this movie does right it’s getting her to gyrate.  Most of the movie has her in a terrible plot wherein she tries to woo the hero into falling for her but is later fooled into thinking that actually happened. There is only so much a cross dressing CBI officer can fall for and a hot babe that can gyrate is not in the agenda. I think the director wanted to put this as a cock tease to show the intricacies of the plot. My name is Kanthaswamy. RAWR.

My question is don’t these filmmakers and actors watch their own movie? Or was it the annoying 3 hour lapse (which btw in a bad movie is never effing ending) that prevented them from the task of re-editing the movie. What do you edit though when the script itself is that taken out of a 4 year old’s imagination? Not barring the item numbers, most 4 year olds are already way in it before you were ever. Why do you torture the indian audience (any audience for that matter) to such trivial meaningless bullshit. This is like a photoshop project gone bad, you take 10 pictures with no co-relation whatsoever and put them together because some producer has a lot of money to shell out and the actors picked Mexico as the outlet to spend money. Vikrams acting is sub par in this movie, but then again I don’t know if it’s the script and anyone else in this role would have failed just as badly. Maybe not Vijay, since most of his movies are like this anyway. If you must see Shriya and a stoned up hero with a terrible cock dance as his routine before taking out the baddies.. you must STILL NOT watch this movie. You have been warned.

watchmen
It’s not every movie that makes me jump on to the blog and write out my thoughts. But I would blame that on my mood and something that hasn’t happened before. The lax-ing of the Censor board in India. But more on to that later.

Watchmen is a movie directed by Zack Sydner. You would remember him from the wonderful movie 300, where the visuals were mind blowing, the script tight and the flow great. He kept the visuals part of that equation intact and floundered miserably on the the other two. This is based on a comic book and you know how seriously I take such movies where the rendering of the movie/character/hero has to bear some sort of resembalance to the whole thing right? Right.

The story starts about an ex-superhero being killed and a murder investigation then starts by a current hero. This current hero is the coolest character in the movie and goes by the name Rorschach. He is convinced that there is a larger plot, but how large is revealed as the movie goes on. This is a complicated intrinsic plot from the looks of it and many events occur together which are loosely pieced in the end.

So how was the movie?
In one word : disappointing. There were many useless scenes and the only reason I would give it credit is allowing full frontal nudity in Indian theatres. Apparently sex on the Indian screens is not really taboo. But that’s not the point. The point is this movie was patched together for lack of a strong story line. I haven’t read the watchmen comics but I know from what I have heard (from my friends and in particular Arvind and Tvac) that it holds a lot more depth and is hailed as one of the best “books” written. Not just a comic, but a book. Why would they want to screw it up in a movie? Largely because of the lack of being able to convey emotions that are abound in books and art. You cannot really express many things that you could in a book in a movie. And this is where the attempt failed. Scenes where miss.jupiter and nightowl fight and save some people from a burning house showed that they were as good a team so they had to do it to celebrate. Epic Fail.

It is important to understand that this concept of Watchmen was brought at a time when the readers in the 80’s and 90’s thought about a new understanding of the concept of a “super hero”. The understanding is that they use them and these superheros work together to prevent nuclear war destruction which was a large threat between Russia and the USA. The super heros start to question their roles in the whole equation and start to develop their character. There is a God in it who goes by Dr.Manhattan who has so many powers endowed and cannot age or die and can see into the future. How does he deal with it? What about the roles played by lesser godly heros who give into the dark temptations of man (Greed, Power and Lust). These are concepts that were explored and brings about a concept that is largely on the minds of people. Are Superheros more human than we think? Do they crumble?

These concepts should have been explored in a better way rather than focus on meaningless trivilaties. So many scenes like the Jailbreak, the love making scenes between the heros and heroines were largely useless in the story telling, but necessary to appear commerical. The reason this movie failed was trying to appeal to a commercial audience by roping them into the visual awe and forgetting that many people sometimes need

End Result: Movies at 5/10 mostly for visuals. But it’s a far better tribute paid to Alan Moore than that effin idiot who killed the Batman. Watch it for seeing how far we have progressed in visual effects in Cinema, but read the book if you want some deep meaning into this. As far as I can tell the movie is good for those that don’t expect anything, don’t read between the lines and don’t expect to go in with prejudged thoughts.

{UPDATE} – Thanks to Pegu I now have the Watchmen comics with me so as is customary, I shall read it and add a follow up. My score of the movie, by itself without comparing, still stands.

Casino Royale was fantastic. They brought back Bond from just the techno juggling smooth operator sleeping with everything that has boobs to a rugged man on a mission with Daniel Craig who actually shows a sensitive angle to his tough exterior. As an avid Bond fan, I went into this movie with so much hope and I was let down. It was my birthday treat to a couple of losers but I couldn’t help feeling I could have treated them better.

The story is far too complicated and it looks like the directors were trying too hard to get some shit together. I get it, Bond’s angry, he wants revenge, but did they have to make a mockery of this? Don’t get me wrong, the movie’s not ALL that bad, but after a stunning treat like Casino Royale this looked like a noob contender. It is some tightly gripping action scene clips put together by combining a mindless jump over continents with some vague revenge theme.

The pros

  • Brilliant action scenes
  • HOT bond female, Olga has me checking her website images now
  • Daniel Craig doesn’t disappoint in his role.
  • Quick paced
  • Superior minority report type touch screen technology
  • Cool Sony Ericsson technology (I love that phone)
  • Bond kills everyone man (that is so cool)
  • Brilliant Action scenes (oh wait did I mention that already?)

The cons

  • What the eff is Felix Lighter doing in the movie?
  • Villian was given such a pussy role
  • Over crunched edited too much story has to be here type scenes
  • 10,000 BC fart of different countries without explaining how they get there.
  • CIA are a bunch of dumbasses (forgiven since Bush is the President)
  • M lacks the charm she carried in the other movies Bond seems more assured than her

Here are some comments from RottenTomatoes.com and Imdb that reflect my thoughts.

Quantum of Solace offers next to no solace, if we mean respite, but in plunging its hero into a revenge-displacement grudge mission, it has the compensation of a rock-solid dramatic idea, and the intelligence to run and run with it.

Perhaps this is a tactically ruthless and designedly impersonal Bond movie, a clever tease getting us ready for the returning solvents – next time round – of charm, humour and eccentricity

I get that this new Bond is supposed to be more brutal and vicious, but is he also brain dead and stupid?

The emotional power, intelligence and sheer stylishness of Casino Royale has been lost amidst the noisy blur of sub-Bourne action sequences.

Bond gets his cards frozen yet travels from Austria to Italy somehow. He teams up with a guy he hated and thought had betrayed him to get some shitty help. And the guy dies and is dumped (literally). The opera scene has no relevance except to lead on to another shooting scene.

This was like a high gadget hindi movie with a hot female lead and an actor that loves to kill. I’m pretty sure the Indian heros couldn’t have matched up to Daniel Craig, but seriously, watch Casino Royale again and wait for the next Bond movie, you can pass up on this one. You can oogle at Olga with these pictures, that’s what I did once I got back.

Isn’t she lovely?

One of the greatest series ever written was the Godfather series. Even the number 1 movie of all time is The Godfather.  I was at my local bookshop today when I noticed that there’s a new series on the Godfather written by a certain Mark Winegardnr (that’s how his name is really spelt). So obviously being a Godfather buff (I sometimes nickname myself Kage Coreleone) I picked it up, I am yet to read it though but I thought I should write a post on the Godfather character analysis.

When one mentions the Godfather, you have 2 images that stir deep emotions. One is of the father, Don Vito Coreleone, and the other his erstwhile son Micheal Coreleone. I’m not going to spend time talking about the history of the series and if you haven’t seen it, pick it up already.

What makes the 2 Godfathers different?

Vito Coreleone, or the original Don, is the one potrayed in the center of the first series of the Godfather. He is what I would call a  pragmatic unruflled Mafia don. Even his son Michael, despite tremendous successes, loses in such a comparison, as he lacks the one thing that makes Vito the Don to emulate, the warmth, compassion and sheer predictibility of the future. If there was a difference between Micheal and Vito, it would be that of a certain touch of class. Just as the case is between Jordan and Bryant. He is the Godfather par excellence. Establishing himself at a time when class was rare with particualr hindsight. I would closely relate this to the Ambani brothers of India. While Dhirubhai played a lot of particular notes and pulled strings, he rose from nothing, he inherited nothing and built everything from scratch. An amazing parallel is Vito. Wise , intelligent, an excellent reader of others’ intentions, and a smooth, subtle talker, able to convince with words, not having to rely only on bullets. The most exceptional thing about Vito, and the way in which he most outshines his son, is the manner in which he conducts his personal life. Though a ruthless, violent criminal, Vito is also a warm, loving father and husband, and the paradox of his character is that it is precisely the warmth of his humanity that makes him appear superhuman. In his later years, Vito comes across as relaxed and playful, even mellow and the death scene in which he’s playing with his grand kid even though he’s the Don and chasing them around is what shows him to be not only a great individual but also a pillar of the family / social society.

He was at the top when needed, astute when required and lived a rich, full life and settled into a quiet retirement. You’ll notice that in part 2, where as a younger man, when he is played by Robert De Niro, he is caring and devoted but also silent and intense.  It’s the intensity and the insane pauses while thinking that manifest the power in Vito Coreleone. Michael lets his intensity eat away at him, Vito does not. There is never any tension for Vito between the two meanings of “family” (i.e. blood relations and crime family), and he doesn’t feel conflicted about what he’s doing.  His intensity is that of a hard-working man, though one who still manages to come home at the end of the workday to spend time with his family. In short, Vito comes across as both the perfect father and the perfect Godfather, making him a difficult model for all of his children, especially Michael, to imitate.

The Prodigal Son

Micheal on the other hand  is cold-blooded, ruthless, smart, and determined. His ability to think clearly under fire, to be decisive, and to command respect makes him an excellent Godfather as well. One sees fate play a strange card when out of all the Don’s children, the youngest and most unlikely to head the family makes for the best candidate to ascend the throne.  Michael was never supposed to get involved in the Mafia. He was supposed to become a senator, perhaps even president. Even when he does begin working for his father, he doesn’t seem fully reconciled to the decision. He promises Kay before they marry that the family will become “legitimate” soon. Over twenty years later, in The Godfather Part III, he still seeks this legitimacy. Unlike Vito, who appears at ease in the role of Godfather, Michael is burdened by the responsibility. One senses that he views himself as a sacrificial hero, slaving away for the rest of the family, sacrificing his soul for the well-being of those around him. In many ways, Michael’s story is a familiar one in American mythology: that of the immigrant’s child. He achieves great heights of success, just as his hard-working immigrant parents hoped for him, but at considerable personal cost. In Michael’s case, this cost is to his family life, as he loses his wife and children. The difference, is the burden of having to rest on the shoulders of giants. Just as Einstein is remarked to have done one better on Newton, Micheal has done one better than Vito. But Michael is often seen as a classical tragic figure. Immensely talented and powerful, he is undone by tragic flaws: his insatiable desire for vengeance, which creates a web of violence and recrimination that he cannot escape; his illusions of omnipotence, which blind him to the fact that achieving legitimacy is impossible; and his sense of being perpetually at war, which never allows him a moment of rest. In the end, while the Don dies to his family, Michael dies alone. Instead, he brought them only pain and death.

The original Godfather is a romanticized Mafia portrayal, while his son bears that of hardness and bitterness that comes closer to reality.